A movie needs a protagonist (protagonist, $2 word meaning
hero or heroine). Female or male
protagonists work just fine. The
protagonist must be likeable; we viewers cannot get excited about a scumbag
protagonist. The protagonist needs to
accomplish something and the movie needs to show him working on it, what ever
it is. We viewers need to know just what
it is that the protagonist is trying to do.
Best literary example I can think of is Tolkien. Right in chapter 2 Gandalf tells Frodo (and
us) about the ring, its deadly power, the dark lord searching for it, and the
need to destroy it. From then on for the
rest of the three book trilogy we know what is going on. The protagonist has to do things; we cannot
care much about a protagonist who merely serves as a punching bag thru out the
movie.
Then the movie
needs a background, Narnia, Middlearth, the Wild West, gangland Chicago,
the Washington DC
swamp, Sherwood Forest, the Western Front, Imperial
Rome, and the Crusades, somewhere. The background needs to be convincing, with few
noticeable anachronisms. I an a history
major and long time history buff and I am OK with some bending of the history
to make a better movie.
The movie should
build to a climax, where the protagonist goes up against his opposing forces
and/or the villain and either wins or looses.
Speaking as a viewer, I like protagonists that win, defeating their
enemy. I can tolerate a protagonist who looses if I see him/her put forth truly
heroic effort in the final battle.
Then the movie
needs good actors who speak up clearly, and a good sound man, one who makes the
entire dialog audible. I am getting old,
but I have no trouble hearing the TV newsies, and the entire dialog in my old
favorites. Somewhere around Charlie
Wilson’s War the sound man lost it and much of the amusing dialog was
inaudible. That sound man has been
messing up movies ever since. One thing
a sound man needs to know. He must mute
the score and the sound track when the actors are speaking.
And a movie needs a
good camera man. One who puts the camera
on a tripod and doesn’t wave it around in the air. And one who turns the lights on before
filming. Black on black scenes are
simply annoying to the audience.