Monday, January 20, 2020

In Harm's Way, movie, 1965


In Harm’s Way, an oldie but a goodie.  I just finished watching it (again). It is World War 2, in the Pacific with John Wayne as tough and competent Navy admiral Rockwell Torrey.  We have a lot of action, Admiral Torrey is sent out to capture a couple of key Japanese held islands and turn them into US Navy bases.  We have a parachute assault, by US marines to take to first target.  Followed by a sea battle featuring a PT boat attack on the Japanese fleet followed by a broadside to broadside gunnery duel between the heavy ships.
   Torrey spends much of the movie forming a relationship with Maggie Haynes, a tough Navy nurse, played by Patricia Neal. She is reasonably good looking, although I would not call her cute.  She likes what she sees in John Wayne and works to catch him.  For cute, John Wayne has a son, just graduated from college, just into the Navy as an ensign.  Played by Brandon DeWilde, Jere Torrey is young, blond, slim, and cute.  Jere is establishing a relationship with an equally cute young Navy nurse.  She is Annalee Dorn, played by Jill Hayworth, and has her hands full coping with Jere who is pushy.  She manages him with a firm hand.  Jere was raised by his mother after she and Rockwell split when Jere was only four.   Initially Jere takes his mother’s side in the marriage split, but over the course of the flick he comes to appreciate his father.    The movie moves right along, good pacing.   Each scene contributes to the story and lasts long enough to get its point across. 
   The movie is based upon a novel of the same name, written by James Basset and published in 1962.  Much of the action in the book and the movie is based on real WW2 events, but loosely based.  The movie was made in 1965.  A reasonable number of WW2 aircraft and ships were still in commission in 1965 and were placed at the disposal of Otto Preminger and his crew.  The costumes and uniforms are realistic WW2 styles.   The whole movie gives the flavor of 1943 very nicely. 
    The movie is in black and white.  That was the custom for war movies back then.  Probably because we were all used to watching black and white newsreels, which were always played in movie theaters before the main attraction.  Since the movie was made back in the 1960’s, the technical work, lighting, filming, and sound is all superb.  You can hear and understand all of the dialogue, something I cannot do for modern movies.  No shake-the-camera shots, no turn-the-lights-out scenes.
  All in all, a good flick.  If you haven’t seen it, you can rent it from Netflix.

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